Absolute Radio – Behind the sound

Absolute Radio logo
Image via absoluteradio.co.uk

This week at the Radio Academy Promotion and Marketing Awards, Absolute Radio picked up another haul of awards.

Along with the Creative Gold Award, they won Best National On-Air Promotion (with Faces for Radio), Best On-Air Sponsorship (for Baddiel and Skinner) and Best On-Air Imaging. This adds to the bronze award they picked up at this year’s Sony Radio Awards for Best Station Imaging.

A couple of weeks ago at the Broadcast Symposium 2010 in Nuremberg, I presented a session on Station Imaging in the UK, which featured a video with Absolute Radio’s Creative Director Vince Lynch.

Take a look now behind the thinking of what makes the sound of Absolute Radio.

You can hear more about this year’s awards on Steve Martin’s Earshot blog here.

1010 WINS: You give us 22 minutes, we’ll give you the world

New York station 1010WINS has been giving the news to New Yorkers since April 1965.

Last weekend, I met current breakfast news anchor Lee Harris at the Broadcast Symposium in Nuremberg, and the took the opportunity to make this short film where he talks about his career, the station, and  covering the events of September 11 2001.

Lee is on air weekday mornings in New York and online here.

The video isn’t embedding some browsers. If you can’t see it, watch it here  http://vimeo.com/16944686

Flared music – who worked with whom

The great thing about the BBC is that you can be pretty sure that there;’s a team of people working behind the scenes on new and clever ways of doing things with content and online data.

I found a link to a project called DATA ART – a partnership between BBC Learning, the Arts and Humanities Research Council and the University of Westminster.

You can find details of some of their projects here:

I’ve not yet delved into all of them yet, (writing this on the train on my non Flash-friendly iPhone). But there could be some interesting possibilities with one of these projects – Flared Music.

The site notes that “Flared music lets you visually research relationships between musicians and bands using the Musicbrainz database an online community resource that the BBC is working with to collate music information”. Enter the name of an artist or producer and let the app search out connections and collaborations.

I entered “Paul McCartney” and it listed collaborations from the obvious (Michael Jackson, Stevie Wonder and of course The Beatles) but also, bizarrely , a connection to Su Pollard. Ok – she was on Ferry Aid! But, it set me thinking – maybe it could be a starting point for a musical feature on the radio? Or the basis of a fun online game?

Take a look – try it for yourself – and see what strange connections it throws up.

And thanks to @backflipltd for flagging this project up.

Goodbye Mercury FM – You taught me so much..

It opened on October 20th 1984. On Monday July 26th 2010, Mercury Fm in Crawley ceased to be – another of Global Radio’s stations that have been rebranded Heart. This is progress – and makes absolute sense in their business strategy. But is another marker in radio history. UPDATE: and not everyone is happy about it.
This was station founded in the great early days of Independent Local Radio. The days when there was enough money to have the Royal Philharmonic Orchestra record your station theme.
My first paid radio work came at Radio Mercury in Crawley. This was after years of hospital and student radio. At Mercury, I gained experience in all aspects of the radio craft, from producing programmes, reading news bulletins, working the radio car and all aspects of studio craft.
It was a big station back in those days. Located in Broadfield House in Crawley, it was a large scale traditional ILR station. There was a newsroom (in the old stables) with a team of 5 or 6 people. A commercial production team of 4. And in programming, the PD, his secretary, a head of music, 3 producers, a couple of programming assistants and maybe even a music librarian. Plus 3 receptionists!
And it was the PD, Martin Campbell, who gave me my break into radio – letting me loose on producing the station’s Guildford breakfast show. And once in, I never left.
When I arrived at Mercury FM, all I wanted to do was be on air. I’d spent years at hospital radio and 3 years at uni mainly hanging out at the student station. In fact in 1982, I’d even won “Best Male DJ” at the original Student Radio awards. And it was Mercury that let me on air. Firstly on many shifts (mostly overnight) on the “Weekend if a Thousand Hits”. Then a time covering lates and sometimes even evenings. And then in 1985, I spent a year as drivetime presenter on Mercury Extra AM. (You don’t remember that station – well, frankly, neither did the listeners). After that experience, I decided I’d rather spend time in the production studio, which I’d been doing all the time I’d been there, and so switched over to be the Commercial Producer – and also gained my first “Station Sound” role too – though that particular term hadn’t been thought of at that point.
In fact this is how we sounded back then. (BTW – this audio breaks my rule from my Capital FM days; Simpsons Grabs = demo tape bin. But this was way back in 1996 – so is just about OK..) (Oh, and the whole Power of Radioactivity thing came from the fact that Crawley was designated the UK’s first Nuclear Free town. Or something. Go figure..)
Back in the 1990s, stations like Mercury gave you the opportunity to grow, to develop, to learn. And I learned from many people still making their mark in radio in many fields. People like Will Jackson (GTN / Traffic Radio), Will Kinder (Radio 1), Matt Smith (SKY News), Dan Wright (Koink).
Now with consolidated stations, networked hours and fewer ways into the industry, is it maybe time for the industry to create a unified qualification and training programme to ensure that future entrants are fully equipped with skills and relevant experience needed. There are precious few stations now where anyone new to the industry would be able to gain the skills that I learned there. Maybe such a scheme could use BBC Local radio stations as a feeder – with those making the best progress able to compete for placements and experience at larger networks or national brands. Whilst college courses fulfill some of those needs, the best place to learn these skills is on the job.
Ironically, it probably is Global Radio who are currently doing the most in this direction, with the establishment of the Global Radio Academy. Hopefully this will give as much insight to the industry’s new young hopefuls as Mercury FM did many years ago.
So RIP Radio mercury – I owe you much more than you ever could know.

Summertime Ball mixes it up

Image (C) Global Radio

Last year, I remember being fairly lukewarm to the coverage online and on air for Capital FM’s Summertime ball.

This year they turned up the heat.

Everything about this year’s show was bigger and better. But in particular, how they interacted with the audience in the build up to the day.

Twitter was alive with #stball tweets all day. In fact – at one stage the event was trending in Twitter’s Top 10.

Capital kept listeners up to date with everything backstage, featured loads of user generated pictures, and threw up loads of videos from the performances the next day.

And most impressively, used new technology such as Radio DNS to keep my iPhone app and Pure Sensia up to date with images from the show – and additional information too.

Having worked on shows like this in a past, I know the enormous effort this sort of thing requires. Looks like Capital pulled out all the stops – and it showed.

And this video  from DJ Earworm was a nice touch too. He’s the guy who did the clever United States of Pop Mashup in 2009.