How many times are you tempted to fall back on the same routines? How often do you approach creative challenges with the same, often predictable solution? I suggest that the answer it yes – on both counts – in many situations. This is totally understandable in many cases. We all have huge pressures on our time these days – and sometimes it’s easier just to get jobs out of the door. But don’t let that become the norm.
I’m working on a project that encompasses almost every part of the organisation I work for. It will involve programming on radio, on Tv and an equally large body of content that will live online. The creative brief was challenging – but the solution has been surprising – putting a contemporary filter over very traditional content. It’s taken bold decision-making to make it happen. And the challenge for me has been to try to make the radio part feel relevant – rather than overly traditional – but also accessible to a wide range of audiences – and to sound relevant to the station sound on a range of radio networks. The project delivers at the end of the week – and I’ll share he tv and radio creative (along with the story behind it) once its on air.
The problem with breaking creative boundaries is that you have to be brave and take risks.
I’ve been lucky enough over the years to work with Programme Directors who have been very creative – and loved to try new things. And I’ve worked with a couple who have not. Some ideas led to ratings success and were celebrated. Others led to audience indifference and were swiftly dropped. But whatever the outcome, they always needed someone with the balls to say yes.
It’s easy to push back on highly creative ideas. They may cost too much. They may be too risky. They may be challenging to your peers or the people you are trying to impress as you line yourself up for your next job. But sometimes, you need to go with a gut feeling.
If you aspire to work somewhere truly creative – you need to take creative risks once in a while. Are you brave enough to do that..?
Yesterday, I had the pleasure of visiting the Media department of De Montfort University in Leicester. I was there as a guest of Rob Watson, who runs the Media Technology Degree.
Every year, they invite a load of industry practitioners from various areas – from business, to engineering to creative – to talk to the students about their real world experiences. We were on a panel called “It’s all going interactive”. You can read more about it here.
My fellow panelists were Andrew Dudfield – who manages navigation for BBC Online and Chris Skinner who is a freelance producer for shows like Dave Gorman on Absolute Radio and The Bugle Podcast. We all shared some of our experiences in getting into radio, and I also shared some audio tips on creating and developing audio brands.
What was good to see was the enthusiasm from so many of the students. What also really amazed me was the opportunity they have available to learn new skills.
Rob showed us around the facilities of the department – and there’s a jaw dropping amount of learning spaces. From fully specced Pro Tools HD suites to acoustic engineering workshops; a green screen studio; AVID suites and even a mixing studio with a huge analogue NEVE desk.
And then there were the facilities on offer to the students who work on the student/ community radio station – Demon FM. All of the students on the course have the opportunity to get involved – planning, producing and presenting shows. They have 4 production booths for pre recording and prepping shows. Plus an office/ talks studio too. And they’re equipped with access to all the IRN feeds and news management tools to be found in any big newsroom. To be blunt – a wealth of opportunity they are unlikely to have to hand in many real world stations.
The temptation for many is to emulate what already exists. Some want to produce station sound that emulates Capital or Radio 1. Some want to be just like Chris Moyles or Greg James. And there’s nothing wrong with that.
However, this will probably be the one station that they get to work in where they can pretty much do what they like. Test out some new formats,
devise new ways of doing things, write some experimental drama, broadcast some sound art, or try out some comedy. It’s precisely the place where you can try and fail.
I really hope that they realise that this is their chance to experiment and create something fresh and exciting, learn some new skills and think differently. And then hopefully reap the rewards that should follow when they create something extraordinary.
Two pieces of news yesterday finally cemented Global Radio’s ambitions.
First, they announced “an unprecedented long term partnership” with News International – creating a range of partnerships. The UK Press Gazette reports
Capital Breakfast will partner with The Sun
Classic FM’s More Music Breakfast will be presented in partnership with The Times and The Sunday Times
Heart’s Club Classics on Friday evenings with The Sun and Fabulous Magazine
LBC 97.3 will run special features, news round-ups and advertorials with The Times and The Sunday Times
The Big Top 40, the chart show syndicated across various stations UK-wide on Sunday afternoons, will feature Sun advertorial features.
They also announced a “new media opportunity” with Clear Channel Media in the US to create the Official World Premiere across Global Radio and Clearchannel airtime and advertising assets across the UK, Europe and the USA.
According to Radio Today
Ashley Tabor, Founder & Executive President of Global Radio said: “This is an unprecedented partnership between Clear Channel and Global Radio. The combined worldwide reach of over 150 million people, as well as the innovation of combining radio & digital outdoor, together with the geographical spread of this initiative, is truly eye watering. We’re delighted to be partnering with Madonna and Universal music for the very first ‘Official World Premiere’ today.”
This is pretty clever strategically for Global on both counts.
With the NI deal, there’s a tie up with a huge publisher, giving a tie in with the editorial power of a huge newspaper group. I’m guessing the showbiz-loving Sun will happily be featuring the sort of content that Global breakfast shows will be talking about, and featuring stories about Global’s huge events. I’m sure there’s no compulsion to do this – but an alignment like this certainly won’t harm either if them. One wonders how impartial reporting of Rajar day stories will be – but I’m sure the benefits will outweigh the challenges.
With the Clear Channel deal – the benefits are far more rooted in music partnerships. The recent Official World Premiere of the new Madonna track tied up the Capital Fm Network, Clear Channel’s Radio stations and billboard sites. The event trended worldwide on Twitter – driving traffic back to Capital and helping build the Madonna Brand. I’m guessing this will be sold to various labels to promote their content – 150 Million potential consumers is not to be sniffed at. And I’m guessing that if Global wanted to use it to promote any of their acts – they’d get a good deal..
I’m wondering though if the CC deal will go further. Both Global and Clear Channel operate music events for their stations. Capital has the Jingle Bell Ball whilst New York’s Z100 has the Jingle Ball. In the future, will huge headliners be tied into the type of partnership deal – whereby Rihanna or Jay-Z or similar artists headline both events over one weekend in two continents? An extreme idea – but with lots of possibilities.
The challenge for radio is to constantly come up with new ideas. Global are doing this with new strategic commercial partnerships – that could ultimately create exciting and unique new content partnerships. This must ultimately be good news for all radio brands.